Ian Spector is the creator of Chuck Norris Facts. His latest book, Chuck Norris Cannot Be Stopped: 400 All-New Facts About the Man Who Knows Neither Fear Nor Mercy is now in bookstores everywhere. He is currently working on two startups and provides web strategy consulting services. Follow him on Twitter.
There’s a good chance that you’ve come across the word “meme” at some point or another in the past few years. It’s an arcane academic concept but at the same time it’s also one of those things that you can identify, but can’t describe easily. Richard Dawkins coined the phrase in an effort to help explain cultural evolution in his 1976 book, The Selfish Gene, where it’s defined as a shared element intended to be passed around within a culture, a societal analog to a gene. Everything from Tamagotchis to “That’s what she said” count as memes. On the Internet (), memes are more visible than ever before, and what’s more, they’re also serious business.
Now, even though it may not be immediately apparent, there are a number of universal qualities that all successful viral memes have in common.
On the Internet, content is everything. It’s what will make or break a site. Why would anyone want to go to a website if there’s nothing interesting or entertaining to see? Visitors will flock to your creation so long as you consistently feed users good content that’s appropriately presented and packaged.
There are two major types of content: great original content (Stuff White People Like, The Landlord from Funny Or Die) and curated, user-generated content (Regretsy, FAILblog).
This may read like a page from the Book of ‘Duh’, but play to your strengths. For instance, if you’re not a fan of writing a whole lot, don’t start a long-form, text-heavy blog, and stick to editing incoming user-generated content.
“Going viral necessitates a universal understanding of the joke,” says Lauren Leto, co-founder of Texts from Last Night. “There’s a reason commentary on quantum physics doesn’t pull the attention of the masses, but a joke about a cat stuck in a box does – because it’s a quick laugh. The easier to digest, the more people will forward the content around.”
Beyond the content, your site should be simple to interact with as well. We all know that every type of person is on the web now, so by designing a simple, elegant, and intuitive site for users, as well as administrators, may save you a lot of headaches down the road.
Sometimes you don’t even need to build something fancy and custom yourself. This Is Why You’re Fat runs off of Tumblr (), which is a great platform for testing out whether or not the public will eat up your idea, and also has integrated sharing features which is helpful for growth. Depending on what your project is, you may not need to expand beyond it, but if you do, the next step up would be a service like Wordpress (), which affords the administrator more customized options. You can always build your own site, but that can often be time and cash-intensive.
The brain is very good at making associations. If your content is able to get people to respond emotionally, get people to laugh and enjoy themselves, you’re gold. That emotional connection serves as a sort of glue, binding the association between your content or site and enjoyment and with each exposure to entertaining, funny, or otherwise emotionally provocative content, that association between “your site” and “totally amazing” becomes stronger and stronger.
Here’s a quick case study: According to my network of unnamed spies, there are two groups of people who seem to be drawn to LOLCats. The first are people who just find it funny. The other group is made up of the passionate folks perhaps better known as “crazy cat ladies.” Their overwhelming love of cats drives them to spend time on the site as well as to spend money on the books that are available now as well. Think about that.
One of the biggest emotional hooks is empathy, which is where the success from sites like Awkward Family Photos and Shit My Dad Says come from. We’ve all got our own awkward family portraits, and we’ve all heard our parents say ridiculous things. White people will laugh at themselves reading Stuff White People Like, while non-white people will gladly laugh at the ironically accurate absurdity of “the definitive guide to the unique tastes of millions.” Note how race and family are some big-picture concepts. There’s lots of potential material in those spaces to play with, which can get users to respond to easily.
What do sites like Texts from Last Night, Urban Dictionary, My Mom is a Fob, and FML (
) have in common? They’re all masters of their own space.
They’re original concepts unattached to any other properties, and by virtue of that, their owners can do things like make T-shirts, produce iPhone and iPad apps, and even develop TV shows (Shit My Dad Says landed a TV deal with CBS not too long ago and its slated to star William Shatner).
Then there are a those other sites that are inherently related to some third party “black box.” Sometimes that third party has no problem with what you’re doing (Remember Rick Astley Rickrolling the Macy’s Thanksgiving Day Parade?), sometimes they do. Avoid any potential messes by working on something completely unique and independent.
As with all things on the ever-growing social web, memes live and die by the ability to share content. If your content isn’t bite-sized and isn’t surrounded by some controls to share: Like, Tweet, Stumble, Digg (), or something else, you’re doing something wrong.
“Your content should be instantly identifiable no matter where it ends up on the web,” says Ben Bator, co-founder of Texts From Last Night. “Humorous material is meant to be shared, so don’t limit the possibilities.”
My personal favorite sharing control is the “share by e-mail” function found on ICanHasCheezburger. Remember how crazy cat ladies love that stuff? Guess what else they love to do – that’s right, forward everyone they know those pictures, so why not have that right on the site? Brilliant, though unfortunate for the rest of us.
If you’re using a blogging service like Wordpress or Tumblr, make sure that that sharing via third party services (Facebook (), Twitter ()) as well as controls like AddThis () are enabled.
At the launch of your project, you should also make sure that there are appropriate avenues for discussion, sharing, and fandom on third party services. Get yourself a Facebook Fan page, add certain pages to Stumble Upon, register appropriate Twitter handles, and popularize the hashtags you want to use. Being in control of your content outside of your site is important.
Because you’re working on the Internet, there’s a good chance that your content will spill out everywhere besides your website. Set Google Alerts for your site’s name and even for popular content (if it’s text-based) so that you can be alerted to copycat websites or apps.
You should have an attorney send any copycat sites cease and desist notices immediately to the owners of those sites. You don’t absolutely need an attorney to do this for you, but you’re usually guaranteed better results. Most copycats will stop immediately once they hear from you if you’ve done the job properly.
In addition, you should protect yourself from potentially angry users by creating a bulletproof “Terms of Service” page. “[It] should be the first page you complete. Make your intentions clear, otherwise you will just piss off your users (and possibly lose out on a book deal),” says Bator. Unless you’re an oracle, it’s unlikely that you know what direction your site will follow as it grows.
“Launch with a broad but legit terms of service and take it from there,” suggests Jessica Amason, co-creator of This Is Why You’re Fat and Viral Media Editor at BuzzFeed.
The only reason Chuck Norris Facts exist is because I asked the visitors to my site what they wanted to see. I had started my site with “Vin Diesel Facts” and after getting a few million hits and some mentions in the press, I put up a poll to ask visitors who the site should include next. The rest is history.
Don’t necessarily crowdsource your major decisions to your users since you probably don’t know or trust them that well, but it’s just as much their site as it is yours to a certain extent. Users/members ought to have a say in things, if only to let you know if you’re going in the right direction.
There’s a good chance you’ve heard this phrase in one context or another. Most memes seem to start and grow organically — their successes are a result of good content, stellar execution, and everything else previously mentioned. It’s really hard to work backwards.
Some people in the meme-machine world will actually start a large number of sites per year, expect most of them to fail, and just support the ones that take off. Others think that because they may have succeeded with one meme that they will be guaranteed success with their next venture. The best example of this in recent memory is follow-up project that the creator of the Million Dollar Homepage started after he finished making his million bucks. The man made a million dollars. Anyone in his shoes probably thought that the next move, whatever it might be, would be golden, but it was a total flop.
But hey, expect to make mistakes. You learn more from them anyway.
All memes reach a point when their 15 minutes are up and the traffic levels off to die-hard fanatics, and a relatively constant stream of new visitors who come and go. As with all things in life, make sure you love what you’re doing. There’s a lot of work involved with running these things. I had to review thousands and thousands of submissions at my site’s peak. It’s hardly fun, especially knowing you’re on a ticking clock.
Also, be sure to consider the implications of being the face of your meme. The people who seem to be into it the meme I created most right now are annoying frat guys who spend their days “icing” their “bros,” and that’s not necessarily a group that I want to call myself the leader of. Sure, it’s great that so many people from around the world have enjoyed what I’m responsible for, but at the end of the day, it’s pretty ridiculous.
What are some of your favorite Internet memes? Tell us in the comments below.
Mederma, a marketer of over-the-counter products that treat scars and stretch marks, wanted to go beyond its customary use of keyword search and online display advertising to tap into a network of influencers who would be predisposed to share information on the subject.
The company and its agency worked with ShareThis to amplify a search and display ad campaign that ran concurrently and offered a coupon toward purchase of the products. Tapping into the ShareThis network of more than 400 million unique visitors across nearly 800,000 Websites, the campaign targeted consumers likely to share content with friends on social networks, or to respond to content after hearing about it from friends.
Catching people when they are in the process of sharing can be powerful. “The traffic these people drive is 50% more engaged than search traffic,” ShareThis CEO Tim Schigel told eMarketer. “More engaged means more page views per visit.”
Strategy. ShareThis created “social topics” from keywords relevant to the product and identified 12.5 million consumers in the ShareThis network based on their sharing behavior around these topics.
Mederma’s agency, Empower MediaMarketing, then targeted a ShareThis display ad campaign to 2.5 million of the identified consumers. The ad led to a landing page with testimonials and a call to action referring consumers to the coupon. ShareThis ran influence-segmented online creative against identical control creative during the campaign.
Results. After the one-month campaign, Empower found that 50% of influencers converted to a coupon download page, compared with 25% for Mederma’s customary search campaigns, and 10% for its contextual display campaigns on hubs like WebMD. The people who avidly responded to the shared content were deemed highly valuable.
Next Steps. While it’s too soon to assess the coupon redemption rate, Empower has recommended that Mederma apply the sharing strategy to another campaign. ShareThis will refine its data model to include a broader set of sharing signals and Empower will experiment with the creative next time—running different executions for influencers and receivers of the shared content. Based on this pilot campaign, Empower recommended that Mederma allocate part of its search budget to ad campaigns targeting sharing behavior.
Key Takeaways. Marketers that tap into content-sharing on the Web may find it an effective way to increase engagement and connect a brand to influencers.
In addition, sharing helps identify influencers who are topically engaged. Influencers and the people they share with are valuable—just how valuable is something ShareThis is working to quantify. The behavior and influence of content-sharing consumers can be an effective tool for marketers, serving as a kind of hybrid of search and display.
Nearly two-thirds use location-based apps
Research from Wi-Fi provider and mobile ad server JiWire buttresses reports on the effectiveness of mobile advertising, especially in apps and location-based services. The company found that most users of its public Wi-Fi services had downloaded at least 10 smartphone apps and about two-thirds spent more than 30 minutes a day using the applications. In addition, 63% said they “frequently” use apps that require them to give their location to serve specific content. JiWire’s audience was somewhat less likely to say they would allow an app to access their location just to serve more relevant advertisements, but more than one-half reported they would. While users seem to understand the trade-off of advertising for free content, with 76% saying they prefer ad-supported, free apps to paid ones, they are more ready to disclose location-based information for improved content than just for ads. Nearly two-fifths of respondents said they were more likely to click on a mobile ad that was tailored to their specific location, while about one-half said it would not make a difference. Overall, more than one-half of mobile device users studied said they had engaged with in-app advertising within the past month, either by clicking an ad, going to the advertiser’s Website or making a purchase. The Mobile Marketing Association and Luth Research found that location-based mobile ads had the highest response rates but a low ad recall rate of 9%. More than one-quarter of US mobile content users, by contrast, reported seeing in-app advertising. via emarketer.com

The launch of the iPad has advertisers and publishers excited about the possibilities of presenting their content on a bigger, shinier iPhone but also wondering whether consumers will warm to a device that defies easy categorization.
According to data from comScore, consumers are well aware of Apple’s tablet, with just as many saying they have heard of the iPad as Amazon’s Kindle. The iPad beat out all other e-readers when it came to purchase intent.
That could be because Internet users are also turned on to the fact that iPads are more versatile devices that can do much more than present black-and-white text. Asked what they would do with an iPad if they had one, respondents were more likely to think of Web browsing, e-mail and listening to music than reading.
Relatively few respondents said they would download apps for the device. However, the larger screen size of the iPad would make for easier traditional Web browsing, possibly alleviating some of the need for native apps.
With or without apps, many Internet users told comScore they would pony up for content specially formatted for e-readers, including 68% of 25- to 34-year-olds and 59% of 35- to 44-year-olds. Owners of iPhones or iPod touches were more likely than average to say they would pay for newspaper and magazine content on e-readers, at 52% versus 22%.
“The tablet and e-reader market is developing at a breakneck pace right now, and Apple’s entry into the market is sure to accelerate mainstream consumer adoption,” said Serge Matta, comScore executive vice president, in a statement. “These devices have the potential to be incredibly disruptive to the way consumers currently access digital content.
“Our research suggests that not only will a variety of markets be impacted by the introduction of these devices but also that there are substantial opportunities for those in the digital content ecosystem,” Mr. Matta said.